I was once in a particularly campy version of “Anything Goes,” put on by a local community theatre group out in the boonies, where–I swear on my children’s heads–I had to drive past a field full of sheep to get to rehearsal. These sheep were part of a research program at the local university. As part of whatever experiment was being visited upon these poor animals, it was necessary to demarcate them in a way more readily visible than conventional ear tagging. And so, I didn’t just drive past any field of sheep on my way to rehearsal every night. I drove past a field full of pink and blue spray-painted sheep each night.
(The painted sheep are not at all germaine to the tale at hand. I’m just incapable of passing up an opportunity to share about them. Because, sheep! Spray painted! In a field! It’s better than cow tipping, because you don’t even have to DO anything for it to be funny!)
Anyway. “Anything Goes.” It’s a Cole Porter musical; it involves a lot of singing and tap-dancing and tangled love interests and minor intrigue. I don’t remember a whole lot about it other than that it was a very amateur production, I had to pretend I could tap dance, and that I played a character named Virtue and had exactly one line.
Even at my tender young age at the time (16 or so, I believe), I appreciated the irony of the main character and her groupies. Reno Sweeney is an evangelist turned nightclub entertainer and is flocked (constantly) by her “angels” Chastity, Charity, Purity, and Virtue. These gals have a deep love both for Jesus and showing some skin. Nothing could’ve amused me more than to take this role of good/bad girl with such a meaning-laden name and play up the ridiculousness of it.
You’d think that–seventeen years later and maybe even smarter–I would just KNOW BETTER than to try to seriously undertake anything with VIRTUE in the description. I mean… I’m a little old for tap dancing, now. Without a healthy dose of parody, virtue and I aren’t really on speaking terms.
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